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All Shadows Past

by Praise Of Folly

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funeralcrasher
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funeralcrasher I love that this was completely hidden to me until 30 years after. Praise of Folly are one of my new favorite bands, even if they aren't actively recording and touring. Hanged Man slaps so fuckin hard Favorite track: The Hanged Man (Black Tape Sessions).
APE
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APE First heard Praise of Folly's St. Thomas shell-cassette in '95 or '96 and instantly fell in love with it. "Delicate Pallor" was my favorite, followed quickly by that rocking Christian Death-esque breakdown ending of The(e) Envisioned. The other 2 cassettes have been highly collectible and too hard to find on ebay and Discogs, so it's great to finally hear them here. I hope to hear the remasters of Disillusioned. Favorite track: Delicate Pallor.
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    Includes unlimited streaming via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.

    Special digital bonus downloads include: 28 page Praise Of Folly "All Shadows Past" eBook with all lyrics from the album, liner notes and a collection of rare never before published photos of the band. Additionally, a 8"x10" Praise Of Folly digital poster file is included as a download that can be printed in high resolution. Finally, a 1920 x 1080 pixel Praise Of Folly computer desktop background image file is included.
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1.
These gashes and my injections of strychnine Allow me to keep light bulb skin Allow me to keep delicate pallor Allow me to keep light bulb skin Trust dead on this oh beautiful one Inbred coffins hold her diary son The men so white they shouldn’t survive With blood stained black hair in their eyes These gashes and my injections of strychnine Allow me to keep light bulb skin Allow me to keep delicate pallor Allow me to keep light bulb skin The men so white they shouldn’t survive With blood stained black hair in their eyes Blame the concept of this myth for this It hangs pierced and maims my wrist Trust dead on this oh beautiful one Inbred coffins hold her diary son The men so white they shouldn’t survive With blood stained black hair in their eyes
2.
Mortal Wound 05:24
Sing to the stars that holler the name As she lays in her bed and bled in vain And all the shadows slept in the wind As I watched her from afar But this mortal wound is cut too deep Shadows have died children are calling A torn page from past moments remain Temptations of a demonic-devine Came toward for which that I loved Sing to the stars that holler the name As she lays in her bed and bled in vain And all the shadows slept in the wind As I watched her from afar But this mortal wound is cut too deep Shadows have died children are calling A torn page from past moments remain Temptations of a demonic-devine Came toward for which that I loved
3.
She may speak ill of me And thousands may see me In a foul light I keep you Inability to completely believe There is no reason to cover this Throughout your life love When you were awakened by sounds Undone by a warm tear that wasn’t your own That wasn’t your own She may speak ill of me And thousands may see me In a foul light I keep you Inability to completely believe There is no reason to cover this Throughout your life love When you were awakened by sounds Undone by a warm tear that wasn’t your own That wasn’t your own
4.
On softly woven fabrics And black laden sheets Escape to the moonlight Ours alone to feast Young androgynous boy in black His tale-tell heart lifted to the sea In my eyes I see the light That lies behind the darkest side In my eyes I see the light That lies behind your phantom-less eyes Voices whisper in my mind Of forgotten people left to lie Dead flowers stain the scarlet side Of the hills that wonder in my eyes Beautiful young girl in black Her tale-tell heart lifted to the sea In my eyes I see the light That lies behind the darkest side In my eyes I see the light That lies behind your phantom-less eyes
5.
Thin fingers caress an envisioned man Horizontal and weaving on the floor Weaving on the floor Weaving on the floor Weaving on the floor Cowering away between two walls Fear seeps through skin Grip my hands as I heave to the floor Feel my lifeless body drained and used like a whore Grip these tears that coat my eyes And let me sleep forevermore Thin fingers caress an envisioned man Horizontal and weaving on the floor Weaving on the floor Weaving on the floor Weaving on the floor Cigarettes burn and fill the air Breath so still I can feel her stare Grip my hands as I heave to the floor Feel my lifeless body drained and used like a whore Grip these tears that coat my eyes And let me sleep forevermore The devil’s blood eating away my skin Licking at my tongue—an elaborate sin Cigarettes burn and fill the air My breath so still I can feel her stare Night turns to day in an array of light My body falls ill slender and light Reality drops like candle wax beads Burning the bliss away from the dream Away from the dream Away from the dream
6.
In this constant state We begin to consider our own being A cruel game of heaven or hell In sunlit madness and cutting cold Keeping time with our despair Praying—praying for the verdict To console our fears The hanged man waits upon the wall The hanged man waits to dissolve In a time when our eyes lay veiled In a moment of flash—I am with you The hand of time moves through the years And in silence we are unanswered Afraid of the unknown—afraid of ourselves And as I meet God in death I shall fear no evil The hanged man waits upon the wall The hanged man waits to dissolve In a time when our eyes lay veiled In a moment of flash I am with you
7.

about

All Shadows Past is a retrospective album of all the early songs released by the Los Angeles California based gothic post-punk group Praise Of Folly. Four of these songs were originally independently released by the band’s leader Thomas McFarlan on a self-titled 4 song tape EP in 1992. This tape has become known by fans as the Praise Of Folly “white tape” or demo tape. The other 3 songs on this retrospective are from the second Praise Of Folly tape EP that Thomas released in 1993 titled: “As If Every Song Would Be The Last”. All together, these songs comprise the entire release output from Praise Of Folly before their full length 9 song LP was released in 1995 titled: “Disillusioned”.

All 7 of these songs have been transferred from the original DAT tape masters to a purely digital format, then dramatically remastered by Isotope Studios and Thomas McFarlan for your listening pleasure, and trip down memory lane, to the dawn of second wave gothic post-punk from California.

credits

released August 25, 2021

Tracks: Delicate Pallor, Mortal Wound, Somewhat Devious & In My Eyes

Thomas McFarlan: Lead Vocals, Bass Guitar
Brady Ray: Guitars, Backing Vocals
Ryan Thompson: Drums, Backing Vocals
Greg Koller: Keyboards
Kat: Female Vocals

Produced by: Praise Of Folly
Engineered by: Dennis and John Renick
Mixed by: Praise Of Folly with Dennis and John Renick
Recorded and Mixed at The Production Co., Hermosa Beach, CA

Tracks: The Envisioned, The Hanged Man & He Stands Cross Armed

Thomas McFarlan: Lead Vocals, Bass Guitar, Keyboards
Mike Naz: Guitars
Ryan Thompson: Drums, Backing Vocals

Produced by: Praise Of Folly
Engineered by: Mike Parnin
Mixed by: Praise Of Folly and Mike Parnin
Recorded and Mixed at C.B. Studios, Ventura, CA

All tracks have been digitized from the original 1990s DAT tapes and remastered by Isotope Studios and Praise Of Folly in 2021 for this retrospective release.

Cover & Booklet Art Direction, Design & Photography: Secret Cargo

A Secret Cargo Release. © 1990-2021 Praise Of Folly. All Rights Reserved. ℗ 2021 Secret Cargo Music (P.R.O. Affiliation Pending)

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Praise Of Folly Los Angeles, California

Praise Of Folly is the gothic post punk band of California based singer-songwriter and multi-instrumentalist Thomas McFarlan. The band’s sound has an inventive and eclectic character to it that combines a hypnotic gothic post punk aesthetic with art rock sensibility—leaving common gothic music cliches in the dust. ... more

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